It's done! I can't wait to put it on. It's blocking now, and quite damp. . . Kitten is helping out (blurry head notwithstanding).
Sunday, April 6, 2008
Sunday, March 30, 2008
Snowflakes in March
My snowflake sweater progresses. Tonight I grafted the underarms and sewed in loose ends. I needed a break from the turtle/cowl neck I'm working on up top. It's in a 1x1 rib and is taking forever. I actually already knit the whole thing once already and frogged it because I didn't like how it was laying. I had put in increases and it flopped over on itself in a 1950's-ish way, but unattractively. I'm going for something more scrunchy. Although you can't tell in this photo the neck is pretty wide.
Besides finishing the neck, I also still have some embroidery to do. I started by thinking I would just put some duplicate stitch over the lines where my wrapped floats show through in between the snowflakes, but then I got thinking of maybe adding some other sort of smaller, more freestyle snowflake motif on top in a lighter color, too. Maybe with some swirly bits. This whole project has been experimental from the beginning, so why not try another new thing, eh?
I cannot wait to block this thing and see the colors all settle together.
Here's a picture --
Besides finishing the neck, I also still have some embroidery to do. I started by thinking I would just put some duplicate stitch over the lines where my wrapped floats show through in between the snowflakes, but then I got thinking of maybe adding some other sort of smaller, more freestyle snowflake motif on top in a lighter color, too. Maybe with some swirly bits. This whole project has been experimental from the beginning, so why not try another new thing, eh?
I cannot wait to block this thing and see the colors all settle together.
Here's a picture --
Wednesday, January 23, 2008
Some New Projects, Some Redirection
About a year ago I started this blog to serve a couple of functions -- to be a record of my projects over time, and to be a sort of home base from which to meet and communicate with other knitters. I discovered knitblogging quite by accident when looking up a pattern I liked on the internet and coming up with a bunch of links to the blogs of people who had knitted it. I loved being able to see the photos of different people's versions of the item (non-photo-styled versions, so you have a little extra truth in advertising. . . ), and to read about their process and benefit from their experience. Also, the commenting function of blogs means people can discuss and comment and share -- almost like we do in person. It's just so rare to be around a group of knitters, sewers, crafters for me anymore. I think the happiest I maybe ever was was when I worked at a fabric store and talked crafts all day long ;-) Crappy pay, though.
I digress.
I've noticed that my blogging has sharply fallen off about the time I got my invitation to Ravelry, and I think that's because that site serves pretty much all the functions I was looking for in a blog. I have my project journal, my communication with other knitters, plus an easy way to find all manner of information. It's not for sew-ers, unfortunately, but I don't do that so much these days either.
So I think I'm embracing this trend. I'll still update the blog periodically with new photos, but probably not more frequently than every couple of months. My heart's with Ravelry now and I don't know how much I really need the blog.
Please visit me there as username LydiaAnne.
Meanwhile, here are a couple of finished projects.
The Sienna cardigan is done and highly wearable.
Here is a close-up of the lace fronts.
I also finished a little scarf using the angora yarn I fell in love with at Rhinebeck. It's the dewdrop stitch from Walker's first treasury, and is the same on both sides. The fuzziness of the yarn obscures it a bit, but you can make out the bit of laciness I think.
and a close up . . .
I digress.
I've noticed that my blogging has sharply fallen off about the time I got my invitation to Ravelry, and I think that's because that site serves pretty much all the functions I was looking for in a blog. I have my project journal, my communication with other knitters, plus an easy way to find all manner of information. It's not for sew-ers, unfortunately, but I don't do that so much these days either.
So I think I'm embracing this trend. I'll still update the blog periodically with new photos, but probably not more frequently than every couple of months. My heart's with Ravelry now and I don't know how much I really need the blog.
Please visit me there as username LydiaAnne.
Meanwhile, here are a couple of finished projects.
The Sienna cardigan is done and highly wearable.
Here is a close-up of the lace fronts.
I also finished a little scarf using the angora yarn I fell in love with at Rhinebeck. It's the dewdrop stitch from Walker's first treasury, and is the same on both sides. The fuzziness of the yarn obscures it a bit, but you can make out the bit of laciness I think.
and a close up . . .
Sunday, October 28, 2007
Saturday, October 27, 2007
Many beginnings
Wool cotton sweater update: Okay, I frogged back again because I wasn't loving the look of the little openwork diamond motif in the center front of the sweater. Sadly, with my new incredibly time-consuming profession I only really knit on Saturdays anymore, somewhere between house cleaning and grocery shopping. So I frogged pretty much an entire week's work of work and it took me two more weekends to recover that ground. I put in another KC Brocade diamond there instead. Here it is looking all crumpled from being in the bottom of my knitting bag for a while.
I'm getting a little tired of the Rowan Wool Cotton. I feel like I've been working with this yarn forever, which makes sense considering that I bought this yarn to start the Gatsby project all the way back in March(!) and have been working with it *ever since* -- first as Gatsby, then as this new sweater I'm designing.
As a result (or maybe just because I wish I had more time to knit and am trying to cram in more than I can actually do) I seem to be on a rampage of starting new projects.
I started a pair of fair isle mitts with the goal of finishing them in time for the Thanksgiving trip to my mother's traditionally chilly house. I'm mostly through one mitt at this point, using up odd bits of worsted from the scrap department of my stash. The pattern is from Drops Design and I think it turn out nice once blocked. Right now the stiffness of the fair isle is puffing out above the tight ribbed cuff a bit more than I would like.
We'll see what happens here because I must admit that I have a serious and chronic case of second-mitten syndrome.
Meanwhile, I went to Rhinebeck last weekend. Sheep! Goats! Llamas! Alpacas! Bunnies! I petted all of them - shamelessly. Narrowly escaped returning home to our New York City apartment with one of each plus a Border Collie puppy. Thankfully, my husband and I showed remarkable restraint and returned simply with a couple of Christmas presents that shall remain nameless, a chunk of sheepsmilk cheese, and three little yarn purchases for moi. . .
From left to right, purple/black handpainted sock yarn (um, yes, for the girl with a hard case of second-mitten syndrome -- but I want to try at least one sock!), a natural toned pink-grey-brown worsted from Shadyside Farm, and some fuzzy, super-soft Angora yarn with steel grey and rose variegations. The bunny yarn is currently on the way to becoming a scarf.
The fuzz makes it hard to see the stitch pattern, but it's a simple little openwork, broken-rib pattern from BW's Treasury #1, called Dewdrop. I had some fun looking through the book and trying different ideas. This one is inspired by themes in The Book Thief, the October selection for KTC. More on that later.
The worsted got swatched up for the Sienna cardigan from IK Fall 06. I've been wanting to make this sweater since I first saw it in this issue. I think I would love to wear it, but somehow I just never got to it. I also didn't want to put up the cash for the suggested yarn, Blue Sky Alpacas, which is a fairly heavy worsted, and I never really came across the right substitution. I think my new Shadyside wool will be perfect for it.
I love knowing that this yarn comes from western PA, too, right between where I used to live in rural PA and where my family is from in rural, eastern OH. I can picture these sheep hanging out in my sweater on a fantastically green steep hill under that cloudy Pennsylvania sky.
I just know that this sweater will be a favorite and I haven't even started it yet. The yarn kept drawing me back to their booth again and again all day. It's exactly the kind of stuff I most love. Quality that's subtle, not flashy. Perfect in the details, striking just the right balance between natural and refined. I like the natural colors, but many of the more natural wools at the fair had a rustic, sort of look to them that was too rough for my taste, either because they were single-ply, thick-thin yarns or because they were completely undyed. Shadyside had some nice patterns for their wool, too, although I didn't buy any. I think I might just steal some of their ideas instead!
The wool is super soft like a merino, though it's from Romney sheep, and the woman from Shadyside said she had been breeding the sheep for softness. There's something poetic and lovely about that that makes me want to write a poem "bred for softness" I heard cats described once as "comfort-loving creatures" and I thought about that, how some creatures are comfort-loving and others are not so much. People too.
I'm getting a little tired of the Rowan Wool Cotton. I feel like I've been working with this yarn forever, which makes sense considering that I bought this yarn to start the Gatsby project all the way back in March(!) and have been working with it *ever since* -- first as Gatsby, then as this new sweater I'm designing.
As a result (or maybe just because I wish I had more time to knit and am trying to cram in more than I can actually do) I seem to be on a rampage of starting new projects.
I started a pair of fair isle mitts with the goal of finishing them in time for the Thanksgiving trip to my mother's traditionally chilly house. I'm mostly through one mitt at this point, using up odd bits of worsted from the scrap department of my stash. The pattern is from Drops Design and I think it turn out nice once blocked. Right now the stiffness of the fair isle is puffing out above the tight ribbed cuff a bit more than I would like.
We'll see what happens here because I must admit that I have a serious and chronic case of second-mitten syndrome.
Meanwhile, I went to Rhinebeck last weekend. Sheep! Goats! Llamas! Alpacas! Bunnies! I petted all of them - shamelessly. Narrowly escaped returning home to our New York City apartment with one of each plus a Border Collie puppy. Thankfully, my husband and I showed remarkable restraint and returned simply with a couple of Christmas presents that shall remain nameless, a chunk of sheepsmilk cheese, and three little yarn purchases for moi. . .
From left to right, purple/black handpainted sock yarn (um, yes, for the girl with a hard case of second-mitten syndrome -- but I want to try at least one sock!), a natural toned pink-grey-brown worsted from Shadyside Farm, and some fuzzy, super-soft Angora yarn with steel grey and rose variegations. The bunny yarn is currently on the way to becoming a scarf.
The fuzz makes it hard to see the stitch pattern, but it's a simple little openwork, broken-rib pattern from BW's Treasury #1, called Dewdrop. I had some fun looking through the book and trying different ideas. This one is inspired by themes in The Book Thief, the October selection for KTC. More on that later.
The worsted got swatched up for the Sienna cardigan from IK Fall 06. I've been wanting to make this sweater since I first saw it in this issue. I think I would love to wear it, but somehow I just never got to it. I also didn't want to put up the cash for the suggested yarn, Blue Sky Alpacas, which is a fairly heavy worsted, and I never really came across the right substitution. I think my new Shadyside wool will be perfect for it.
I love knowing that this yarn comes from western PA, too, right between where I used to live in rural PA and where my family is from in rural, eastern OH. I can picture these sheep hanging out in my sweater on a fantastically green steep hill under that cloudy Pennsylvania sky.
I just know that this sweater will be a favorite and I haven't even started it yet. The yarn kept drawing me back to their booth again and again all day. It's exactly the kind of stuff I most love. Quality that's subtle, not flashy. Perfect in the details, striking just the right balance between natural and refined. I like the natural colors, but many of the more natural wools at the fair had a rustic, sort of look to them that was too rough for my taste, either because they were single-ply, thick-thin yarns or because they were completely undyed. Shadyside had some nice patterns for their wool, too, although I didn't buy any. I think I might just steal some of their ideas instead!
The wool is super soft like a merino, though it's from Romney sheep, and the woman from Shadyside said she had been breeding the sheep for softness. There's something poetic and lovely about that that makes me want to write a poem "bred for softness" I heard cats described once as "comfort-loving creatures" and I thought about that, how some creatures are comfort-loving and others are not so much. People too.
Sunday, October 7, 2007
Vertical Darts Redux
Sunday, September 30, 2007
experiments with darts
I am progressing on my little sweater I'm designing as I go with the lovely Rowan Wool Cotton. I've finished the King Charles brocade panel at the bottom and am continuing in seed stitch which I quite like. I began vertical decreases below the bust, but I don't like how they look. I put in two eyelets where they begin and decided I don't like it. I also realized that I've been decreasing too quickly so the shape is a little pooched.
This is what it looks like today, but I"m going to frog back and start over with the darts. Try something a little cleaner looking, maybe a double decrease that creates some sort of vertical line. I think I may have seen something in my trusty Vogue Knitting Book. . .
This is what it looks like today, but I"m going to frog back and start over with the darts. Try something a little cleaner looking, maybe a double decrease that creates some sort of vertical line. I think I may have seen something in my trusty Vogue Knitting Book. . .
Subscribe to:
Posts (Atom)